Review: The Devil Wears Prada

American metalcore The Devil Wears Prada gave an impeccable performance, with tight instrumentalism and outstanding vocal harmonies.

Take Action Tour: March 14^th @ The Glass House, Pomona, CA.

Nothing builds anticipation in the crowd quite like the first few chords from The Devil Wears Prada, which come echoing out through the smoke as you stare up at their signature backdrop. The illuminated logo, impressive lights and smoke effects used by this band are all part of the impressive ambience and unforgettable performance that Prada bring to the stage, taking their incredible music to a new level at every live show.

For this tour, Prada deliver an array of their music, with offerings from their latest release 8:18, including the title track, through their backlog of old favourites. They delivered a great variety to the Glasshouse, from their slow and melancholic numbers to the relentlessly fast-paced tracks which drive the pits into disarray. Prada know how to change their pace and keep it captivating through the entire set, proving their dynamics as a band with plenty to offer.

Headliners The Devil Wears Prada were joined by Los Angeles melodic hardcore band The Ghost Inside, who were fast-paced and energetic from start to finish. They gave a high-intensity performance, driven by Jonathon Vigil’s passionate vocals. The Ghost Inside tore the crowd apart and raised the tension inside The Glass House. They followed performances by I Killed The Prom Queen and Dangerkids.

The Take Action Tour, presented by Sub City, benefits the Living The Dream Foundation, with a donation of 10 percent form each ticket sold. Living The Dream and a non-profic organisation providing hope and inspiration to children and young adults afflicted with life threatening diseases. The foundation will bring a different fan out to select tour dates where they will have their Dream Day with the bands. Take Action kicked off in Ventura on March 12^th and will be touring through till April 2^nd in Columbus.  

That's me. Thanks PunkWorldViews.com

Review: Andy McKee

On Tuesday March 11th my musical endeavours took me to The Tabernacle in west London where I witnessed the musical happening of Marc O'Reilly and Andy McKee


Marc O'Reilly, humble but energetic singer/songwriter from the Emerald isle. Started off with his track 'Get Back' featuring punchy, bluesy guitaring and the captivating husky Irish slur we all love over the top of that which made for a great opener. Discovering this chap only a few days prior to the gig, what really grabbed my attention was the uptempo istrumental passages typical of an Irish jig style piece of music in which the musicians would go crazy on stage. A Mandolin, fiddle and bodhran would slip perfectly into the background for the rhythm section. 

Nonetheless, Marc successfully kept the crowd enthralled. Although a seated venue and just himself on stage he held a great presence, losing himself in the instrumental passages and regaining focus for the next vocal section really brought you into his world. Always inspiring for me to see a genuine and talented songwriter immerse themselves in the songs they write.

'An African Day' was another song in the setlist in which I really enjoyed. It was interesting to hear a musician with strong, Irish musical roots changing effectively to another influence, in this instance, his experiences abroad in West Africa. My favourite song by Mr O'Reilly, 'You Never', was his strong finish to his short but impactful set."even when your lying eyes are closed" really spoke volumes to me, a great lyric and a great song to finish on.

I strongly suggest anyone interested check him when he comes back to England with a full band on April 3rd as well as his upcoming album release 'Human Herdings' on 28th of March. Good stuff!

!!Fanboy alert!!

Andy McKee exceeded all expectations for me. That man has such an incredible sesne of harmony, melody and rhythm and is a privilege to witness live as an admirer and fellow musician. Art Of Motion, Everybody Wants To Rule The World, Drifting, Keys To A Hovercar, Rylynn, The Reason, Africa, Tite Tright Night and Heather's Song were but a few of songs Andy performed with an exclusive live twist such as different percussion fills or riff fills as well as dynamic variations. A joy to see the pieces of music I have listened to countless times still being renewed.

What made it such a spectacular performance for me was how at one he was with the piece he was performing. I think that his music being instrumental lets your mind wander and attach whatever significance it wants to what you were hearing. Rylynn was always that song for me, depending on my mood it would evoke a different feeling or memory everytime.

His intereaction with the crowd was also a joy to experience. A humorous, friendly and charismatic chap, really connected with the audience and included us in all his melodic soundscapes. As an aspiring musician I couldn't help but marvel at his technical and rhythmic prowess let alone as anyone who doesn't study music or play an instrument. The sychronisation and passion he holds towards his art is a beautiful thing to experience live.

I don't normally let myself get too nostalgic when I see a musician live who has inspired me for years but the atmosphere and anticipation of Andy McKee's performance, I couldn't help myself. I've been a consistent admirer for five plus years now and it refreshing to prove to my eyes and ears that he is in fact real.

 An EP release is to be anticipated for April 8th called 'Myth Maker' which features piano and electric guitar as well as what Andy does best on acoustic guitar. Emotive, soulful and beautifully crafted music. Everyone you're welcome in being introduced to such an amazing guy.

Review: Protest The Hero

Intervals: progressive sensation from Canada. Originally known to be an instrumental progressive band until recently adopting the voice of Mike Semensky to deliver a whole new interpretation to the songs that have created them this dedicated fan base. Moreover, how impressive it is to see they achieved such a transition without spoiling what made Intervals, Intervals in the first place: Aaron Marshall's unique and rocognisible style of writing, with interesting phrasing and 'intervals' (pun intended..), has very much so created his own sound. Also being the first act on, it was inspiring to see such a level of appreciation and dedication from the fans as they were on early and the queue stretched to the other side of Camden Market... with their new album set to be released March 4th and on a potent high with 'Emphemeral', Intervals succeeded in impressing the London crowd on their first visit to the isle and left us wanting more and definitely expectant of a future appearance...!

Metallers from London Town, The Safety Fire, were next on the bill. Crazed on an overload of energy throughout their whole set that fueled the crowd to do go crazy themselves. Impressive lead vocals both clean and scream was a definite prominent appeal for me, awesome frontman whilst retaining a sense of humbleness towards the crowd, which might have been why they accepted a wedding proposal to take place during their set from a couple of fans? Who knows... but overall! The performance was a filled with juicy solos and memorable, chunky riffs. Job well done chaps!

Now onto Tesseract. Tesseract never cease to impress me and leave me in awe with their technical, rhymic and performance skills. The captivation and attention their songs demanded was inspiring and evident during their instrumental passages when the crowd's eye's would fixate on the stage unblinking. I never feel it too necessary to say this but Tesseract are definitely one of the few bands I prefer to see live than listen to at home. Ashe O'Hara is one heck of a frontman, the voice on that man! On top of this euphoric experience were the chunk-grooves, never failing to snap the crowd out of their mesmirised state straight into a headbang frenzy initiated by such songs as 'Nocturne' and 'Concealing Fate Part Two - Deception'.

Protest The Hero to put the icing on the cake of metal goodness. They brought onto the stage a great sense of fun-loving and energy all glee-faced and in the moment. Apparently a contagious condition as the crowd really absorbed it and gave the lead singer a run for his money when they would drown out the sound from the stage with their incessant chanting. 'Clarity' was a particular highlight of mine, inspired by Star Trek revealed Rody Walker, which in my opinion can only make a song better. Other highlights to their set was the versatility of the vocals produced by Rody, amazing vocal acrobatics and range within cleans and screams as well as the lea guitarists winding, melodic solos throughout the performance.

All the while, graced with the presence from John Browne, Olly Steele and Mike Malyan of the mighty Monuments. An awesome all-round experience, not just the result of fine musician work but an example of the loyal and committed fanbase that the metal world is proud for having

Review: City & Colour

 Fellow Canadian Hannah Georgas started off the bill. The introduction to the set was a very atmospheric and minimalistic style with punchy percussion and sustained, floaty lead synth. Slowly evolving into a more melodic vibe with guitar and bass becoming more prominent with cleaner synth melodies. All the while Hannah Georgas kept a delicate but very present lead vocal line over the top which kept the crowd captivated. The overall low dynamic of the set was really effective in highlighting the energetic passages. A great style of music to imbue the crowd with anticipation for more.

Dallas hardly had to take a step onto the stage when the crowd erupted. Starting out with songs from his latest album 'The Hurry And The Harm' and for the middle part of the set Dallas went solo to connect to the fans who have been with him from the start. As soon as a harmonica was handed to him we all knew 'Body In A Box' was immeninet and the chorus of people singing along with him was sweetly defeaning and awestriking to witness and be a part of. Other highlights to the performance was an acoustic version of 'Boiled Frogs' from his famous past post-hardcore band Alexisonfire, 'The Girl', 'Sleeping Sickness', 'Sorrowing Man' and many more gems of his repertoire. Also the bluesy muddy instrumentals were an interesting insight into the direction Dallas is slowly moving towards with his music. He kept his reputation of being a humble man and musician with his favour to the fans to turn off their phones during the performance of 'Body In A Box' which always stirs a great respect for him.

An overall captivating night with flawless vocals from both acts!

Review: Hacktivist

12/12/13 - Camden Underworld presents Hacktivist on their first UK headline tour

Supporting act The Algorithm took to the stage accompanied by groove master Mike Malyan from Monuments. Progressive electronic music is a great showcase of the potential of sound manipulation as it stands as a style. No stranger to the experimental and creative ways of the sound, we were invited on a warped tour of his own forged soundscape, presenting new noises for our minds to define. The presense of a live drummer and passages of typical and tame electronic music kept you grounded in reality throughout, as a means of stopping your mind from being taken away completely.

Hacktivist ran on stage and immediately ignited the crowd. Huge energy from beginning to end, half fueled by the possessed crowd and half by the proficient rhythm section. The mix of conscious rap and heavy 'djent' style instrumentation really worked well in captivating and involving the crowd. 'Unlike Us' and their famous cover of 'Niggas In Paris' were definitely the highlights of their set. The relationship between the two vocalists was fantastic in the way that one would mime and act out what the other was saying, combined with creative phrasing, lyrical content and message resulted in their music being very relatable and engaging.

Job well done chaps. Awesome live performance and very much looking forward to the album release in the new year!

Review: Karnivool

Koko presents: +Karnivool  and Tesseract. 

Nov, 21. 2013

Starting off the double bill was the British sensation that is Tesseract. A group of musical sculptures specialising in progressive, groove goodness. Quoted as, "One of the bands to pioneer the 'djent' movement in progressive metal,". What was given to us was an exemplary performance on how well-crafted music should sound. 

Captivating and ambient instrumentals from their latest release Altered State, including the crowd pleasing 'Nocturne' single, as well as some gems from their 'One' album initiating fits of moshing and head-banging. Pitch perfect Ashe O'Hara, newest edition to Tesseract (joining in 2012), explains during an interview their style which perfectly sums up their performance: "Groovy and euphoric progressive soundscapes that we’re known for," and that's exactly what they gave. 

Second on the bill were Karnivool, a progressive band from down under. Evoking a spiritual, stand-in-awe feeling with songs from their latest release Aysmmetry and then igniting mosh pits songs such as 'The Refusal' which is definitely one of Aysemmtry's heavier songs with scream vocals from Jon Stockman on bass, 'Set Fire To The Hive', 'Themata' and 'Simple Boy'. 

Ending with 'New Day' for a climatic encore end to the night, the spine-tingling sensation of the entire crowd singing along reinforced the whole atmosphere created by the more thoughtful songs which left everyone on a high as we left the venue in a calm stroll.

Tesseract official website
Karnivool official website

Review: Senses Fail

+Senses Fail at the Troubadour, West Hollywood. Nov, 10. 2013

With For The Fallen Dreams, Expire & Being As An Ocean 

Post-hardcore veterans Senses Fail have an impressive and extensive backlog, cataloguing several albums since their birth onto the music scene in 2002. Their latest album ‘Renacer’ captures a redefining chapter, arguably delivering their heaviest and most adventurous sound.

My own journey with Senses Fail started in May this year at The Underworld in London where they were supported by a personal favourite, Marmozets. I was struck by their energy and devoted following, and it was a pleasure to find myself coming full circle for the end of their state-side tour.

Opening the night was Californian melodic hardcore band Being As An Ocean. They break through with some original aspects, such as their spoken word interludes, to avoid the dangerous air of monotony that many bands of this genre can find themselves in. A lasting impression comes from the moment their guitarist climbs upwards into the Troubadour loft, continuing to play in a bat-like stance, hooked upside down from the balustrades.

Shining through for me was Expire, a hardcore band from Milwaukee. They delivered a stand out performance, with high energy seemingly driven from pure aggression. Their 2012 album ‘Pendulum Swings’ has a catchy nature with crowd pleasing breakdowns. The fast, short tracks are filled with power and diversity, their furious display matched only by the spin kicking intensity taking off in the pit.

Next up was For The Fallen Dreams, who’s history and reception seems to contrast their live performance. Formed in 2003 they have released four full length albums, with a glance at their extensive back log of past members suggesting they have struggled to find their sound. But in spite of the criticisms that circle this band, this wasn’t to be seen from the Troubadour stage.

For The Fallen Dreams have settled on a winning combination, striking the balance between metal and melody. This was a thoroughly enjoyable live set driving the crowd wild, building the anticipation and energy for our headliners.

With so much to offer Senses Fail are wildly unpredictable, maintaining your devoted attention and energy throughout their set. From weighty guitars, drums pounding out a crowd moving rhythm, pulses of energy unleashing from the stage, primal screams and classic melodic sounds, every aspect is thrown bare before your eyes. But this is certainly not all about the music; a deeper look reveals lyrics which are both an inward therapy for the band, and an outward form of communication for their listeners. Taking you from the mantra of ‘let it go’ (Closure/Rebirth) through a series of thought provoking moments, while still maintaining their hardcore mosh-pit inducing sound.

Senses Fail isn’t just a band that shows up and plays. They connect with the crowd and show a true appreciation for their fans and the journey they have taken. It’s an interesting moment to take a step back from the insanity of the pits and all our stage diving antics to reflect with a room full of strangers on the reason we’re all here and what’s brought us together. That’s before another breakdown throws you back into the riot…

From this brave new incarnation you truly can expect the unexpected. This was an outstanding close to what must have been an impressive tour and one that I will hold on to for a long time. 

Review: Circles

London-based Exist Immortal were the first on the bill. Tight and well orchestrated melodic metal is what was given to us. I was particularly impressed with their front man, consistent, powerful and controlled cleans, screams and falsetto lead vocals throughout the set definitely proved their worth and promise in the coming future.

As Exist Immortal set the pins up, Bovine came in and knocked them down with a mad, energetic performance of the likes I have never seen before. The Birmingham rock/hardcore band built on the momentum even more as the set progressed increasing the anticipation of Circles. Strings breaking, drum sticks snapping, chaos struck The Garage tonight in the form of Bovine

Circles brought to the floor yet another showcase, I have witnessed in awe, of what the Aussies can do. Featuring songs from their newly released 'Infinitas' album and ending on a cherry picked selection of songs from 'The Compass' made their set diverse and engaging. Front man of Circles executed flawless, melodically dynamic cleans throughout the set as expected. That combined with syncopated, grooves we are used to resulted in a potent spectrum of sound satisfying the eardrums. Even amongst the crowd were Monuments members Olly Steele and Chris Barretto headbanging away, I think that's all the recommendation needed!

Circles - A group who meet and excel beyond high expectations.

16/10/2013 - The Garage - Highbury & Islington

Exist Immortal - Bandcamp

Bovine - Bandcamp

Circles - Official website

Review: Twelve Foot Ninja

SO, I went to see a Twelve Foot Ninja gig in the Barfly, Camden and damn was I greeted with some pleasant and unexpected surprises.

Up first were Shattered Skies: a four piece progressive metal group. I had only heard rough studio recordings of their stuff so I wasn't expecting a miracle, but what I heard was not far off. Energetic and tightly executed songs with impressively consistent clean vocals. Intricate bass lines and melodic riffs and solos from the guitarist definitely had the crowd 100% engaged throughout their set.

Next up were Hypno5e. Now, I had never heard what the French could do with their metal but damn was I in for a treat. I had honestly never heard such beautiful dissonant breakdowns with delicate clean interludes like I have with these lot. The synergy from section to section was creative and unique, an inspiring style of songwriting. Consistent flurry of emotive and captivating harmonies between the guitar parts was a definite highlight to their performance for me. Tied with a well equipped lead vocalist with soft, falsetto cleans and whipping out the brutal and sharp screams for the breakdowns, I was very impressed with my first encounter of Hypno5e.

Now onto the Twelve Foot Ninjas, the group from Down Under. The crowd seemed to flock from the woodworks as soon as they went on stage. Their second song, Mother Sky, promised them a crowd at their complete mercy. We were putty in their hands, moulding us from a wave of head-bobbers with their funky, jazzy, reggae-y verses, to a mosh-pit with their heavy breakdowns and choruses. The floor literally warped as the collective reception shook the foundations of the building. It being their first gig ever in Europe the group were flabbergasted as I quote, "we were not expecting this kind of reception," and neither was I, despite my admiration for such a pioneering band. Also, interestingly enough, they hold a record $52,000 raised in 28 days solely by fans in funding their next music video and production of their upcoming album!!

Overall, we have an eclectic collection of three bands bringing to the table, melodic groove metal with epic vocals, the French's impressive showcase of their creativity harmonies and dynamic vocals, with clean interludes contrasting with heavy, brutal passages and lastly, the icing on the cake - Twelve Foot Ninja.

Twelve Foot Ninja - Bandcamp
Hypno5e - Bandcamp
Shattered Skies - Bandcamp

About Us

With a passion for sharing great music we bring you The Music Xchange

Living over 5,000 miles apart won't stop us from collaborating our musical experiences. Studying abroad in Long Beach for a year Kealie offers the best that California has to offer, while Coran delivers the latest talents to take to London. We will be contributing music recommendations, live reviews and more, for our own indulgence and the expansion of your musical minds.

If you would like to send any music our way or recommend local gigs please get in touch. Enjoy!

Kealie Mardell

www.kealiemardell.co.uk

+Kealie Mardell 

Twitter: @KealieMardell

Coran Clohessy 

www.coranclohessy.blogspot.com

+Coran Clohessy 

Twitter: @CoranC